Variety Confidential
A true crime podcast on the history of the casting couch.
ACTORS ON ACTORS | Nicholas Galitzine and Leo Woodall talk about auditioning for the same roles, intimidating co-stars and family members watching their sex scenes.
Sony's "Bad Boys: Ride or Die" started strong with $56 million in its domestic debut.
Xbox Games Showcase kicked offSunday with the reveal “Call of Duty: Black Ops 6” will launch Oct. 25, and be available Day 1 via the service’s paid Xbox Game Pass…
Gainax, the iconic but latterly tarnished, Japanese animation producer behind anime series “Neon Genesis Evangelion,” has filed for bankruptcy. It had been in operation for nearly…
Julia Louis-Dreyfus’ career has been defined by Hall of Fame sitcom roles in “Seinfeld” and “Veep” (not to mention her Emmy-winning turn in “The New Adventures of Old Christine”). But…
Animators debate whether AI tech will help or hinder creativity and production, as well as their own careers.
The Duo Reunite to Discuss TV Triumphs and Being 'Surprisingly' Open to Iron Man Return
On Saying 'F— It,' No Social Media Policies at Work and Why 'Friends' Is Still 'One of the Best Shows on TV'
A Variety and iHeartRadio Podcast
Will Smith and Martin Lawrence make the action comedy franchise's fourth entry tastier than it has any right to be.
Daisy Ridley stuns and earns your tears in Joachim Rønning's beautifully classical Trudy Ederle biopic.
Dakota Fanning stars in Ishana Night Shyamalan's glossy woodland horror film that's more promising than good.
Rereleased 25 years later, Tom Tykwer's candy-colored punk Berlin fantasia is more exhilarating than ever.
A one-note Jeff Daniels stars in this empty Netflix series.
Peacock's gruesome and grueling love story is set during the Holocaust.
Elisabeth Moss stuns in FX's fascinating spy thriller.
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
Vince Staples searches for light on his new album, his most vulnerable project to date.
Dua Lipa's new album is a joyous blast of pop savvy.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
00:09:02The combo of strike delays and low momentum in May leaves the June and July theatrical slates with much catching up to do
Variety‘s Awards Circuit is the home for all awards news and related content throughout the year. It features the official predictions for the Oscars, Emmys, Grammys, and Tony…