Variety Confidential
A true crime podcast on the history of the casting couch.
In a weekend being led by holdovers, Sony's "The Garfield Movie" looks to overtake "Furiosa: A Mad Max Saga" for first place on domestic charts.
Jennifer Lopez canceled her troubled "This Is Me... Now" tour, which seems to be giving online haters enormous pleasure. What does that say about us?
"The Apprentice," a scathing portrait of a young Donald Trump, dominated Cannes Film Festival. But nearly two weeks after its premiere, the film still doesn't have a U.S. distributor.
The president of IATSE told members Saturday that he is hopeful that a deal will be reached “soon” with the studios on a new agreement for 23 local unions around the country. The…
ABBA fans had not necessarily expected to see the group together again after previous statements that they had no further plans to reunite after recording a 2021 comeback album. But…
The new HBO docuseries follows the nation's biggest renaissance festival as it becomes engulfed in a war of succession.
Jesse Plemons, the women of 'Emilia Perez' take acting prizes
Sean Baker's Whirlwind Sex-Work Romance Sparkles Like the Tinsel in Its Leading Lady's Hair.
A Variety and iHeartRadio Podcast
The origin story of Furiosa has dazzling sequences, but George Miller's overstuffed epic is no 'Fury Road.'
The Chris Pratt-led animated movie misunderstands Garfield's appeal and is full of shamelessly conspicuous product placement.
Bobby Cannavale lets it rip as a dad who kidnaps his autistic son in Tony Goldwyn's not-bad hearttugger.
Starring Kathy Bates, Diane Keaton and Alfre Woodard, this tiresome film preaches fun but forgets to cut loose.
A one-note Jeff Daniels stars in this empty Netflix series.
Peacock's gruesome and grueling love story is set during the Holocaust.
Elisabeth Moss stuns in FX's fascinating spy thriller.
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
Vince Staples searches for light on his new album, his most vulnerable project to date.
Dua Lipa's new album is a joyous blast of pop savvy.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
00:09:02The potential billion-dollar signing would be the latest in the music giant's record-breaking catalog acquisitions
With the appetite of a hungry grizzly, “The Bear” could gobble up a few Emmy records for its sophomore season. Fresh off a smashing first season that set a new benchmark for comedy…