Variety Confidential
A true crime podcast on the history of the casting couch.
The project will be for Apple Original Films and A24, with Jeremy O. Harris producing.
The documentarian returns with 'Dear Kelly,' a poignant film about a pro-Trump conservative who saved his life.
Diane von Furstenberg climbs atop the bathroom counter, plants her bare feet in the washbasin and assesses herself in the mirror. She runs her hands through her tangle of curls…
Peso Pluma’s “Éxodo” double album — the follow-up to the Mexican singer and rapper’s chart-topping debut, “Génesis” — has a long and thoughtfully curated guestlist. The 24-song…
Those of us who grew up with “Sesame Street” still remember Guy Smiley, the stereotypical game show host as originally voiced by Jim Henson. Guy was loud, boisterous and the host…
From 'Immaculate' to 'I Saw the TV Glow' to 'Late Night With the Devil,' here are the best fright flicks of the year so far, ranked.
The Duo Reunite to Discuss TV Triumphs and Being 'Surprisingly' Open to Iron Man Return
On Saying 'F— It,' No Social Media Policies at Work and Why 'Friends' Is Still 'One of the Best Shows on TV'
A Variety and iHeartRadio Podcast
Austin Butler and Tom Hardy are cool personified in this 'Godfather' of biker movies from Jeff Nichols.
Russell Crowe plays a fallen movie star playing a priest in an exorcist movie. Is this the sign of a career gone to hell?
New feelings propel a Pixar sequel that comes close to matching the high of "Inside Out."
Yorgos Lanthimos keeps you squirming for nearly three hours in this biting power parody starring Emma Stone.
A one-note Jeff Daniels stars in this empty Netflix series.
Peacock's gruesome and grueling love story is set during the Holocaust.
Elisabeth Moss stuns in FX's fascinating spy thriller.
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
Vince Staples searches for light on his new album, his most vulnerable project to date.
Dua Lipa's new album is a joyous blast of pop savvy.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
A new report finds luxury/ultra-luxury car buyers offer the biggest opportunity, with some interested in an Imax experience
Variety‘s Awards Circuit is the home for all awards news and related content throughout the year. It features the official predictions for the Oscars, Emmys, Grammys, and Tony…