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"Despicable Me 4" and "Kung Fu Panda 4" with Roblox logo
Daily Commentary

‘Obby’ Lobby

How Roblox is facilitating animated films' domination of the 2024 box office

Venu logo
Daily Commentary

Sports Streaming

Feds shouldn't blow the whistle on Disney, Fox & WBD's joint venture just yet

Illustration of a robotic vacuum with the OpenAI logo vacuuming up data
Guest Commentary

Embracing AI

With a data licensing framework in play, rights holders can start to exhale

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Variety Intelligence Platform for Entertainment Business Insights
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February 2024

An in-depth exploration of the global business’ challenges and choices

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How the tech is finding its way into film and TV in a time of industry uncertainty

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How the tech is finding its way into film and TV in a time of industry uncertainty

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A data dive on the challenges facing all aspects of the global box office

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A data dive on the challenges facing all aspects of the global box office

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What the mixed reality headset will mean for what and how you watch

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What the mixed reality headset will mean for what and how you watch

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inside Hollywood’s production downturn, from Content spend to catalogs

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inside Hollywood’s production downturn, from Content spend to catalogs

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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

Paris Hilton and Bruce Gersh posing for a photo against a Variety backdrop at the Entertainment Marketing Summit
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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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