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BEVERLY HILLS, CALIFORNIA - APRIL 24: (L-R) Brent Lang, Executive Editor, Variety, Josh Goldstine, President, Worldwide Marketing, Warner Bros. Pictures Group, Rebecca Kearey, Head of International & Business Operations, Searchlight Pictures, Marian Lee Dicus, CMO, Netflix, Dwight Caines, President, Domestic Marketing, Universal Pictures and Marc Weinstock, President, Worldwide Marketing & Distribution, Paramount Pictures speak onstage at the "President Keynote Roundtable" panel during the Variety Entertainment Marketing Summit Presented by Deloitte at The Beverly Hilton on April 24, 2024 in Beverly Hills, California. (Photo by Randy Shropshire/Variety via Getty Images)

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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!

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